Millions of dollars. Wolfgang Beltracchi scammed millions of dollars from wealthy buyers and art enthusiasts alike by selling them forged artwork said to originate from late famous painters. But did Wolfgang really scam them? In each case, the buyer observed the work they planned on purchasing, and made a decision based on how it fit their taste or pleased their eye. Each buyer received the piece they were promised — the piece Wolfgang had painted himself — and valued it as great art.
I do believe Beltracchi’s paintings are art. However, to defend that, I first need to understand, what is art? When it comes to art, whether modern, Roman, medieval, Greek, realism, surrealism, etcetera, I am no expert. I only happen to know those categories through a quick Google search. However, I would argue that what is classified as art is subjective, and the definition belongs to the eyes that look upon whatever is being judged. As one who has never quite understood the “hype” behind some famous paintings from previous eras, even I would agree that Wolfgang’s forgeries are pleasant to the eye. His paintings capture my attention, provoke thought, and elicit awe; His paintings are not only art, but great art at that (to me). If anything, Wolfgang’s story shows how one doesn’t need to be an expert to identify art, as even some of the most renowned art “experts” were not only fooled by Beltracchi’s forgeries, but acclaimed them as beautiful works of art as well. Additionally, I would even argue that if Wolfgang had not made mistakes with his paint selection, his works would have survived for a very long time as the “original pieces” he had claimed them to be (I have placed “original pieces in quotations because, while they are not from the painters they claim, each piece is technically an original).
Some may argue that art is meant to be an expression of self, and that Wolfgang may not have intended to express himself, but rather other artists. While I may agree with the first statement, I believe Wolfgang was expressing himself. It takes a certain dedication, effort, passion, and appreciation for art and the famous individual artists to be able to embody their styles and create something entirely new. Wolfgang may not seem to have created art that expressed himself at first, but at second glance, one can see how Beltracchi planned and painted each piece himself, and painted an extension of himself and his love for the claimed artists.
In addition, one may even claim that Wolfgang had produced greater works than some of the artists he set out to imitate. Again, I believe much of judging art is left to subjectivity, but it cannot be denied that Beltracchi mastered multiple styles and eras of art, all while completely imagining his works to pass as someone else’s. By creating paintings, he, and many others, could imagine a greatly acclaimed artist would have painted, he brought entirely new art into the world and displayed a tremendous amount of creativity. Is it possible that some of Beltracchi’s own acclaim and success comes from the artists he had imitated who had built their own fame? Yes, it is very possible; but who is to say that the “actual” artist’s work is far greater than Beltracchi’s when that person thought Beltracchi’s work was the artist’s to begin with?
I am also greatly amazed by the man who decided to keep his $7 million “Max Ernst” painting after finding out it was a Beltracchi. Not only did the man keep the “fake” painting, but said it was the “one of the best Max Ernst’s he had ever seen,” (12:35). Although the man had been fooled by the name the art was under, he certainly never had a doubt about its beauty.
Another thing I may never understand is how we value art. At least in some forms, the value of art can be quantified by the resources and time placed into it, and even its practicality, such as a car (Yes, I believe cars, along with many other things, are expressions of art, especially luxury/performance vehicles). However, paint on a canvas can range from hundreds to millions of dollars. When Beltracchi’s work was thought to be that of others, it sold for millions. However, they were devalued as soon as they were exposed as forgeries. I see this as great hypocrisy, however it was necessary. If some art is going to have inexplicable value, Beltracchi’s lies cannot throw off that balance. Art, like everything, is a market; and the consequences of keeping Beltracchi’s work valued at what it originally was could completely destroy that market. Something is only worth what someone will pay for it, and although Beltracchi’s paintings may no longer sell for millions of dollars, his art has already proven itself as million dollar art. While the false pretenses show how buyers may place more value on the name rather than the look of the work, the visual appeal of Wolfgang’s paintings will always have contributed to their insane original value.
Finally, while Wolfgang intended to dupe buyers around the world, it does not change the value of his art in my eyes. The true question here is if one can separate the art from the artist. When things are not always as they seem, it is simply easier to take them at face-value. Ernst or not, $7 million or just $7, I am still fascinated by that painting with the nondescript buildings and colorful rings in the sky. Beltracchi could definitely fool me any day without trying, and I would be none the wiser, and never any less fascinated.